j e n n i f e r K L I D E

| QUEENPINS |

Deadline - Tom Grater (July 7, 2020)

| FAMILY  |

Forbes - David Alm (June 30, 2018)

|  MY FRIEND DAHMER  |

Architectural Digest - Carson Griffith (November 3, 2017)

|  MY FRIEND DAHMER  |

Hollywood Reporter - Sheri Linden  (October 26, 2017)

..... Dahmer's miswired brain circuitry makes him alone to begin with, and on top of that he's doing what he can to shut out the everyday domestic horror of his parents' disintegrating marriage and his mother's mental illness — potently externalized in Jennifer Klide's production design for the Dahmer home .....

|  MY FRIEND DAHMER  |

The Moveable Fest ~ Stephen Saito  (April 26, 2017)

..... Lynch is beguiling as Dahmer, both awkwardly charming at times and utterly chilling at others, but the cast is uniformly strong, complimented nicely by the incredible detail of production designer Jennifer Klide’s and costume designer Carla Shivener’s fine work .....

|  MY FRIEND DAHMER  |

Screen Daily ~ David D'Arcy  (April 24, 2017)

..... Meyers and production designer Jennifer Klide succeed in recreating a high school that’s a vivid boilerplate .....

|  THE CHARNEL HOUSE  |

Los Angeles Times ~ Noel Murray  (November 3, 2016)

More a showcase for set design than a riveting thriller, the low-key ghost story “The Charnel House” has an appealingly slick look .....

|  I AM NOT A SERIAL KILLER  |

Variety ~ Andrew Barker  (March 13, 2016)

..... the film, nicely shot on 16mm by Robbie Ryan, retains a winningly unique look .....

|  CRIMINAL ACTIVITIES  |

Ain't It Cool News ~ Nordling  (May 20, 2015)

Nordling: Tell me about the shoot in Cleveland? How was that?

Jackie Earle Haley:  ..... I got my production designer out of there, and she did an absolutely wonderful job .....

|  MISS MEADOWS  |

Variety ~ Dennis Harvey  (November 12, 2014)

..... pic is smoothly handled in tech and design departments.

|  TOMORROW YOU'RE GONE  |

SHOCK YA! ~ Karen Benardello  (April 12, 2013)

.....  the thriller’s production designer, Jennifer Klide, created unique sets that reflected the situations Charlie unexpectedly found himself in throughout the story... Klide also created diverse, intriguing sets that emotionally represent different elements in Charlie and Florence’s lives .....